Tan Si En
Founder & Film Producer | Momo Film Co
How would you describe who you are beyond your professional title?
I’m someone who loves great food, good wine, and is curious about people and ideas. Producing is just one expression of that curiosity. I enjoy connecting people, discovering new things, and creating spaces where conversations can lead to unexpected collaborations.
What experiences have shaped the person you are today?
Producing films across Asia and Europe has reinforced my belief that great storytelling begins with genuine emotion. Every filmmaker, every city and every collaboration has expanded the way I see the world and reminded me that empathy is one of the most valuable qualities a producer can have.
What continues to move you forward in your work and life?
I’m motivated by untold stories and by seeing them reach audiences they were never expected to reach. Watching a story resonate across cultures is incredibly rewarding.
Beyond the films themselves, I’m equally excited by building long-term creative relationships that continue long after a project ends.
What do you hope your work moves or inspires in others?
The stories I love often begin somewhere very specific, yet reveal something universal about human nature. If our work inspires someone to see things from a new perspective, then we’ve achieved something meaningful.
Can you share a moment when travelling with SIGNICIA became part of a meaningful experience, sparked a conversation or created a connection?
Some of my most meaningful conversations have happened while travelling between festivals and film markets.
Casual coffee sessions about cinema and cultural identity that unexpectedly become creative partnerships are especially precious to me. SIGNICIA takes me from one place to another, accompanying conversations, collaborations and friendships that are shaping the next chapter of my work.
What are you moving towards next?
I’m building towards films and television that are larger in scale, with the hope of connecting Asia with the rest of the world through bold, distinctive storytelling.
I want to champion filmmakers with unique voices, create ambitious international collaborations, and contribute to an ecosystem where Asian stories are recognised not simply as regional films, but as part of global cinema.
On Making Films
What draws you to the stories you choose to bring to life?
I’m drawn to stories that reveal something deeply human while taking creative risks. I make films that are bold, edgy and, hopefully, never boring.
Whether they’re intimate dramas or ambitious genre films, I’m interested in projects that challenge audiences, stay with them long after the credits roll, and reflect perspectives we don’t often see on screen.
How do collaboration and different perspectives shape the final work?
Producing and filmmaking are fundamentally about collaboration. Think team sports.
Every project brings together people with different experiences, cultures and ways of thinking. My role is to create an environment where people strengthen one another rather than compete.
The best films are rarely built around a single voice. They’re the result of trust, generosity and shared ambition.
What has your latest project revealed to you about your practice or yourself?
Working on The House on the Moon, Singapore’s first wuxia feature to utilise virtual production, reminded me that ambition and patience must go hand in hand.
It reinforced that producing isn’t about having all the answers. It’s about building the right team, creating the right conditions, and helping everyone achieve something none of us could have accomplished alone.